[NEW] JFK TERMINAL 8
Branding / Placemaking / Marketing / Wayfinding / Environmental Design / Merchandise
2025–2026
WORLD TRADE CENTER
Branding / Placemaking / Mapping / Wayfinding / Environmental Design / Merchandise
2011–2023
DESAIX
Branding / Packaging
2025
LOVE, SOUTH AFRICA
Branding
2023
ATKINSON HYPERLEGIBLE, BRAILLE INSTITUTE
Typography / Branding / Accessible Design
2019–Current
CLEANLOGIC
Branding / Packaging / Art Direction
2019–Current
DOWNTOWN ALLIANCE
Branding / Placemaking / Art Direction / Merchandise
2021
NATIONAL CHILDREN'S THEATRE
Branding / Illustration
2023–Current
NYU LANGONE HEALTH
Branding / Art Direction / Merchandise
2015–Current
RIVERSIDE PARK CONSERVANCY
Branding / Placemaking / Art Direction / Illustration / Merchandise
2018–2020
GRAND CENTRAL
Branding / Campaign / Placemaking / Art Direction / Environmental Design / Merchandise
2024–Current
LONG ISLAND RAILROAD
Mapping / Wayfinding
2021–2022
SILVERCUP STUDIO
Environmental Branding
2024
SHOPS AT THE OCULUS
Campaign / Art Direction / Writing
2022–2024
WESTFIELD TOPANGA
Campaign / Wayfinding / Writing
2021
EXPERIENCE
Applied Design, New York
2015–CURRENT
Creative Director
Landor, New York
2011–2015
Associate Design Director
Interbrand, Sydney
2009–2011
Senior Designer
Moon, Sydney
2009
Graphic Designer
Saatchi Design, London
2007–2009
Graphic Designer
Zinc, Dublin
2006–2007
Junior Designer
Liveworm, Brisbane
2005–2006
Junior Designer
ABOUT
Elliott Scott is a Creative Director specializing in corporate branding. He applies his two decades of graphic design experience to solve hard brand problems—from understanding clients needs, to concept development, immersing himself in the design process, right through to leading teams to produce real-world results.
Beyond the meetings and PDFs, he actively participates with his team throughout the full-stack of the creative process—from concept to solution.
Elliott is LA-born, Australia-raised, London-tested, NYC-based. For the last fifteen years he’s called New York home—with his graphic designer / part-time mockup model / frequent collaborator / wife, and their daughter, and cat.
He’s been lucky to work with some amazing clients during his career. They’ve pushed, fought, and trusted, to work together to turn ideas that they were excited about into outcomes to be proud of.
Highlights include standing 1776 feet up at the top of the spire of One World Trade Center, diving deep underground during construction of Grand Central Madison, holding a 1000 year old book in an Oxford library, and seeing his work go up on a billboard for the first time in Sydney. That, and the train nerds of Reddit actually seemed pleased with a transit map he worked so hard on.
Lastly, he has always been a huge fan of em-dashes—they’re his favorite grammatical trick. So, he’s extra bummed that it’s become a marker for AI-written text.
ACCOLADES
ADGA
Graphic Design
Cannes Innovation Festival
Graphic Design
Cooper Hewitt
Smithsonian Design Museum
Permanent
D&AD
Graphic Design
Writing For Design
D&AD
Graphic Design
Fast Company
Innovation By Design,
Graphic Design
GD USA
People to Watch
GD USA
Mockly Second Line
Google Fonts
#2 Downloaded Font
44.9M Downloads
Graphis
Logo Design
MEDIA
Brand New
Relevant Proprietary Font
Brand New
Be There of Be Square
Fast Company
This Typeface Hides a
Secret in Plain Sight
GD USA
Mockly Second Line
GD USA
Just the Ticket
New York Festivals
Advertising Awards
Grand Jury
Print Magazine
The Hyperlegible Typeface:
Changing How We See Print
Type Directors Club
All About Vision
Vision
Dezeen
It's Nice That